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Memories with a Shelf Life

Drishya Subramaniam

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As a multidisciplinary communication designer based in London, I aim to push the boundaries of graphic design intersecting with fields like history and culture. Driven by a passion for storytelling, I craft designs that bridge the experiences of the past with the needs of the present, creating visuals for a better future.

As a multidisciplinary communication designer based in London, I aim to push the boundaries of gr...

In a future where current traditions and cultures are affected by globalisation, how can design intervene to preserve and shape cultures for generations ahead?

This project, Memories with a Shelf Life began as I moved from India to the United Kingdom, sparking my quest to reconnect with my cultural heritage. While similarities surfaced, profound differences emerged, shaped by the legacy of colonisation. This fusion of cultures mirrors the transformative effects of contemporary globalisation, which allows individuals to freely adopt elements from diverse cultures.

Our identities are deeply rooted in our communities and upbringing. As globalisation brings diverse cultural choices, I questioned how the unique identity of my community of Kerala Tamil Brahmins in Southwest India will endure— a community where traditions are orally passed down with a language that is only spoken and cannot be written. This work aimed to be a time capsule that preserves their rich heritage by exploring daily routines through non-verbal cues.

By documenting hand gestures of various practices like meeting people and preparing food, the book evokes nostalgia for future generations who have carried the tacit knowledge of hand gestures with them over the years. In time, this book may serve as a poignant reminder of the traditions we hold dear.

My work evolved to look at past experiences, understand present needs, and design for a speculative future. Ultimately, my work explores heritage conservation and the enduring nature of cultural identity in the face of globalisation.

Final work

  • A spread from the publication showcasing how people meet in my community.
  • A spread from the publication showcasing how to prepare certain food in my community.
  • A flip through across the various pages of the book.
  • A morphological table of abstract forms of gestures.
  • A poster showcasing the process of gestures being abstracted from the act.
  • Posters printed and displayed on the wall.
Image of the final exhibition consisting of two posters and a shelf displaying the publication.

The Final Showcase

From collecting interviews to contextualising my research, I experimented with various mediums and concluded that a book is the ideal traditional medium to preserve and document my community.

The final collection includes a book of gestures that categorises the community's daily lifestyle. The first poster features a morphological table of gestures in an abstract form, easily interpreted by technology as it traces hand movements through nodes. The second poster showcases the process, from documenting the lifestyle through photographs to distilling them into gestures and movements, and finally into abstract forms.

Research and process

  • A flat plan for the publication
  • A series of test prints.
  • Cutting and binding of the book.

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Memories with a Shelf Life

In a future where current traditions and cultures are affected by globalisation, how can design intervene to preserve and shape cultures for generations ahead?This project, Memories with a Shelf Life began as I moved from India to the United Ki...

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